A beefy good time that doubles as a post-recessionary study of greed, Steven Soderbergh’s shirtless spectacular is such a deeply enjoyable movie because it never forgets that the heart is the strongest muscle in the human body. “Magic Mike XXL” may be the unimpeachable masterpiece of the series, but the original is more than strong enough on its own merits. Before we all started living in a grim comic book reality with cartoon villains, “The Dark Knight” showed us what it would feel like. And, when the film balances the power of chaos against the perils of compassion, it almost does. Christopher and Jonathan Nolan’s script is convinced that its epic story of symbols has the power to crack the 21st century right open. From its gripping first scene to the semi-cliffhanger of its final line, the film blows through Batman’s story as though the fate of the world hangs in the balance. Nolan’s sequel is so much more than the sum of its parts because it’s powered by a nearly peerless degree of conviction. It doesn’t matter that the Bat surveillance stuff in the last 20 minutes is a total chore, or that Harvey Dent is so inert, his character’s purpose far too transparent for him to ever feel like it actually matters.īut that’s okay - you don’t need to believe in Harvey Dent because “The Dark Knight” so believes in itself. It doesn’t really matter that the film’s IMAX-sized action is often incoherently pieced together, or that Nolan’s preference for generic empty spaces zaps the life straight out of Gotham City (no disrespect to Chicago, but this movie has no idea how to shoot it). It doesn’t really matter that the script is a lumpy mishmash of isolated character beats, or that Nolan’s symphonic style - his preference for narrative movements rather than acts - results in a superhero epic that has a couple of memorable set pieces but very few actual scenes. Here are the seven best movies coming to Netflix in June 2019.Įvery IMDb user’s favorite movie of all time, “The Dark Knight” is an absolute freight train of pop gravitas. ‘Bird Box Barcelona’ Review: Beware of False Prophets (and Heavy-Handed Sequels) We haven’t seen that last one quite yet, but it feels like a safe choice to add to your Watch List all the same. But the real action can be found in less obvious places, as the company is complementing its well-chosen array of newish favorites with a diverse roster of Netflix Originals that includes a searing documentary about the democratic crisis in Brazil, a ruminative bit of sci-fi that delighted audiences at Sundance, and a brand new (and seemingly free-wheeling) Martin Scorsese film about Bob Dylan. On the blockbuster front, the streaming giant is getting into the spirit of the season by re-upping “The Dark Knight” and - more excitingly - offering the Oscar-minted “Spider-Man: Into the Spider-Verse” for the first time. With a little help from the likes of Steven Spielberg, Bob Fosse, and Miles Morales, it just might work. As the summer movie season heats up and even the most casual theater-goers trek to the multiplex, Netflix is serving up one of its most robust slates in recent memory in order to convince people to stay home. Netflix’s June lineup is all about old comforts and bold counterprogramming.
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